[BC] Section 115 Reform Act (SIRA) of 2006

[DANA PUOPOLO]

In THERORY it goes to the performers.

Read this if you want to see where it REALLY goes!

http://www.negativland.com/albini.html

(warning: mature language)

-D


------ Original Message ------
Received: 
From: "Phil Alexander" <dynotherm at earthlink.net>
To: "Broadcasters' Mailing List" <broadcast at radiolists.net>
Subject: Re: [BC] Section 115 Reform Act (SIRA) of 2006

On 7 Jun 2006 at 13:48, WFIFeng at aol.com wrote:


> I'd like to second this. Here we are, already shelling out significant sums

> to ASCAP, BMI, and SESAC every month for the privilege of advertising their

> product to our listeners... we get the music, itself, for free from the 
> promotors, anyway. I would think that they would *prefer* that station
groups share a 
> single CD for their music on HD, because that saves them a few $$. Many
Record 
> Co's are now shifting to an all-digital delivery system, such as the
PromoOnly 
> MPE. One download can easily "feed" an entire cluster of stations with 
> extremely low cost to the promotors.
> 
> It would be nice to get a handle on this whole matter, because it does 
> adversely affect every one of us that play even as little as one song per
month.
> 

The money paid to ASCAP, BMI and SESAC goes to the copyrite holders, or at
least
some of it does. "Theoretically" the money collected by RIAA or a fraction of
it
goes to the performers who cut the record, not the the song writers.

If the nitwits at RIAA had sense they would cut a deal with the copyrite orgs
the fees would increase, and that would be the end of it.


---------------------------------------------
Phil Alexander, CSRE, AMD
Broadcast Engineering Services and Technology 
(a Div. of Advanced Parts Corporation) 
Ph. (317) 335-2065   FAX (317) 335-9037





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